Abstracts
Résumé
Faisant référence à son installation de 1976, 12 + 1 =, qui réunissait treize tourne-disques automatiques en opération continue, l’artiste explique comment la pensée de John Cage a orienté son intérêt pour le disque-objet, tout en soulignant la spécificité de sa démarche.
Abstract
Referring to his own 1976 installation entitled 12 + 1 =, which grouped together thirteen automatic record players in continuous operation, the artist explains not only how Cage's ideas helped focus his interest in the disk-as-object but also the nature of his approach.