ChroniquesScript

FassbinderCinéaste de la déchéance Rainer Werner Fassbinder, The Museum of Modem Art, New York, 1997, 112 pages[Record]

  • Élie Castiel
Cover of Number 195, March–April 1998, pp. 1-60, Séquences
Read the full text

Online publication: April 20, 2010

URI
https://id.erudit.org/iderudit/49247ac CopiedAn error has occurred

A review of the journal Séquences

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Number 195, March–April 1998, p. 54

Tous droits réservés © La revue Séquences Inc., 1998