Étude

Imax/OmnimaxL’aboutissement du cinéma spectaculaire grand format

  • André Caron
Cover of Number 139, March 1989, pp. 3-98, Séquences

Online publication: April 22, 2010

URI
https://id.erudit.org/iderudit/50533ac CopiedAn error has occurred

An article of the journal Séquences

Number 139, March 1989, p. 35–37

Tous droits réservés © La revue Séquences Inc., 1989

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