Résumés
Abstract
Migrants are connected for a variety of reasons (Leurs and Prabhakar 2018, p. 247), and in a myriad of ways (Cabalquinto 2018; Özdemir, Mutluer, and Özyürek 2019; Gencel Bek and Prieto-Blanco 2020). Drawing from a larger project of ethnographic nature (Prieto-Blanco 2016b), this paper argues that photographic practices advance socialization in transnational families, and that each practice activates certain relational affordances to support bonding and familial intimacy. This also serves to offer an alternative reading of phatic communication (Malinowski 1923) as an emotion‐based process. Finally, the paper proposes to understand (digital) photography as a medium of (inter)action and experience for transnational families.
Résumé
Les migrants sont liés entre eux pour un grand nombre de raisons (Leurs and Prabhakar, p. 247) et d’une myriade de manières (Cabalquinto 2018; Özdemir, Mutluer, and Özyürek 2019; Gencel Bek and Prieto-Blanco 2020). S’inspirant d’un plus grand projet de nature ethnographique (Prieto-Blanco 2016b), cet article argumente que les pratiques photographiques aident à la socialisation au sein des familles transnationales et que chaque pratique active des potentiels relationnels pour soutenir les liens et l’intimité familiales. Cela permet également d’offrir une lecture alternative de la communication phatique (Malinowski 1923) comme un processus reposant sur les émotions. Enfin, l’article offre une compréhension de la photographie (digitale) comme un moyen d’(inter)action et d’expérience pour les familles transnationales.
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